Game Box 03: Tales of the Arabian Nights

The excellent Clarice Monet reading out the fabulous tales of our adventure.
The excellent Clarice Monet reading out the fabulous tales of our adventure.

Tales of the Arabian Nights is a gorgeous storytelling game. You move around a lovely board, collecting points and wealth and treasure, but mostly continuing your story. The story pours out of a massive book of tiny encounters, snippets of narrative and the occasional grand adventure – the biggest, choose your own adventure you could ask for.

The Pitch: Be a hero in your own legend — growing from a poor but deserving (or thieving) commoner into a world adventurer. There are a lot of games that try to play on that feeling, but this… does it. If you ever wanted your own fairytale — a proper one, with ups and downs — then you need to be playing this game.

Notes on Playing:

  • Winning is cool, but it’s not the point of this game. The point is a good story. I once spent the majority of a game imprisoned by a crazy sultan with hounds for advisors and his equally mad jailer. I got nothing done. And it was great. It does’t always work out that way, but with surprising frequency, frustrated goals make a fabulous game. You can also just play for the hell of the story, without adhering to the win condition.
  • I said this was a fairytale. It is — told from a non-Western point of view. The map centers on the Arabian Peninsula. That’s where the world is the safest, the map most accurate and detailed. This is so refreshingly full of flavor from the tales the game is named after. There are djinn and efrit and ghooli and piety refers to reverence for Allah – the world is there and waiting for you to step into it.
  • The storybook is massive — which is great because you have a hard time getting back to adventures you’ve already done. But it’s spiral bound. I have to stop myself from wincing every time someone is even a little careless flipping it open. That might just be me, but it’s such a lovely game that the thought of accidentally tearing one of the pages is so sad-making…
  • When you start the game, your character has a gender — but it actually functions like a sexual orientation. A few adventures rely on who your character is attracted to. My gaming group adds an extra setup step:  we declare our character’s orientation — so far we’ve stuck to being gay or straight. I think you could easily play as asexual or bisexual without batting an eyelash.

Who Should Play?

Anyone? Everyone? Okay, so it takes a while to play it. You start fairly ‘low level’, and the adventures scale as the game goes on. You need to block out a couple hours for this one. It’s also reading heavy, so it’s not great for young kids — who might be into the story, but not into reading out loud.

That aside, it’s a fairly accessible game — low barrier of entry for non-gamers and easy to explain once you get going.

Just… go play? Please. It’s so pretty. It’s such a story. You’ll love it.

If by some twisted chance, you are here reading this and haven’t watched SU&SD’s review, then go do that now. Hell, I might go rewatch it after writing this. Since it’s getting too late to play the game.

Game Box 03: Tabletop Day 2015

international tabletop day logo

Last weekend was International Tabletop Day! Huzzah!

We went out and about and found our way to the Malted Meeple — a board game pub — and Underhill Games — our friendly neighborhood game store — for a glorious day of trying new boardgames. It was great to see how many people came out to play games.

This is what we tried:

Tash-Kalar: Arena of Legends (by Vlaada Chvátil)

I’m excited about this game — a meta board game, like a chess variant out of a fantasy novel, with schools of play, different factions, and a simple board and pieces.

You play by making patterns on a grid, giving you the opportunity to summon new pieces to the field. The instructions include a beginners variant of the game — nice simple set up, and clearly some room for scaling the difficulty and skill involved.

First run was fun, and I’d definitely play again.

Tokaido (by Antoine Bauza)

This was my favorite of the games we tried. It simulates the experience of traveling the Tokaido Road on foot — a route to Edo (old Tokyo). You choose how fast you travel and compete to see beautiful vistas, enjoy the most diverse dishes, and visit temples.

As a traveler, the concept appeals to me. This wasn’t a game about seeing great monuments, or rushing around the world. It’s actually about enjoying the journey from point A to point B, and about the tiny mundane interactions which make up the majority of what it means to travel.

Take that and add mechanics which support the experience, lovely art and the fact that, while competitive, it still allows you to play your own game. It’s a different sort of board game, and I enjoyed it a lot.

Betrayal at House on the Hill (Wizards of the Coast)

Horror themed game with a neat traitor mechanic. It was the most complex game we tried — and the instructions were clear, but were not geared towards getting you started asap.

Feel like it’ll need another run or two to get a better feel for it. The first half of the game is about building a mansion out of modular rooms and building up your character’s stats. The second half — the Haunt — gives you the win conditions, possibly a traitor, and an idea of which horror story you’re in.

There was a lot to like, but I didn’t feel like it came together in quite the way it was meant to. That might just be a first run sort of feeling — the mechanics did build a neat narrative feel.

One issue — stats are marked by a sliding marker along your character card. The markers were so loose that you basically had to just keep track of your stats in your head.

Seasons (by Régis Bonnessée, art by Naïade)

Last game we tried, and maybe the most difficult to describe, in theme terms, so let’s start with mechanics. You’re competing to gather the resources you need, and use those resources to play cards, which give you points or other effects/powers.

To be honest, when we played I totally missed that we were sorcerers battling it out — my partner told me when we finished the game. Which says two things to me: First, that the theme and mechanics didn’t really support each other. Second, in this case the theme and mechanics didn’t necessarily need to support each other, since it was still fun.

The place where the theme and mechanics were most in synch was the ‘timer’: A circle of seasons which determines the scarcity of resources and which you progress through three times for the game.

What this game really had going for it was the actual components. The dice are bulky and beautiful, with an arcane feel. The art is, by turns, adorable or gorgeous or weird. The wheel of seasons, the player cards, the palette, all really neat.

For me, this one had artifact value — I’d play again, but I’m not as intrigued as I was by some of the other games.

So. Great International Tabletop Day. Hope ya’ll played some good games. Cheers!